Very well done! This is the most unabashed Fan-Service film I've seen since Serenity.and I daresay, it caters to its fans even more than Serenity did. In fact, my biggest complaint about this movie is that it might cater too much to fans, leaving newcomers in the dark. The movie re- introduces you to Veronica, but virtually everyone else gets no exposition and no character development (beyond what you'd see in a typical episode, that is). For fans of the show, this movie is a gift. You basically get a new episode of the TV show here- a bottle episode that's roughly 100 minutes long. There were a few differences- namely, I didn't remember the show being this funny.

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Veronica always had a good sense of humor, as did her dad, but in this movie there were a surprising amount of laughs. Also, the mystery isn't as deep as the full season one and two story lines (obviously). What's worse, I don't think the resolution of the mystery has that same 'I should have seen it all along!' Genius that made seasons 1 and 2 so special. I'd say the plot is comparable to one of the mini-arcs from season 3. Lastly, as good as this movie is, it still doesn't exceed (or even meet) what the show already did at the top of its game.

The emotional highs and lows are the same old thing as before, and the plot isn't nearly as neatly connected. I'd say I rate the movie as slightly above season 3, but not as good as seasons 1 or 2. But what the Hell, you get to see Veronica work again, and it's too much fun to pass up! Fans must see this movie. I was quite upset and disappointed when the series was canceled back in 2004. It was one of my favorite shows, and I fervently believed (and still fervently believe) that it was canceled well before it should have been.

When I heard that a movie was being made, I immediately became one of its many Kickstarter backers. Now, the movie is a reality, and I am happy to say that Rob and his cast and crew did not disappoint. The movie embodies everything that made the series as great as it was. Wit, sarcasm and noir story-lines abound, giving this the feel of a Veronica Mars season finale episode (without a cliffhanger).

The reason I say that it is bittersweet, is because the movie is a reminder of what should have been, and, while watching the movie, I could not help but feel those pangs of sadness that I felt when the series was canceled. This was ameliorated, however, by the satisfaction I felt with the final product. It is my sincere hope that this could be the genesis of a new age for Veronica Mars resulting in more movies, or even another run of the series. I've opted to go spoiler-free in this review because ultimately, I'm not writing to persuade existing fans.

We're Marshmallows; we've already planned out how to see this film. No, I'm talking to the Kristen Bell fan who maybe saw an episode or two, or the complete Veronica Mars virgin mulling it over. The Kickstarter element of this film not only established that Warner was dead wrong about a lack of interest in this film, but it also added a further level of creative obligation for writer Rob Thomas.

Fans paid for the film, and with that came certain expectations about its plot. Let's get this out of the way now: Thomas delivers the film that fans deserve, without skimping on the mystery element.

Lingering questions from the series are answered (some blatantly, some subtly). Beloved characters are back, including the smaller roles that made the series memorable (Deputy Sacks; Leo D'Amato; Corny).

Basic plot round-up: 9 years after the events of the series, Veronica has moved to New York City and is finished law school, having run from Neptune after her first year of college. She's reunited with old boyfriend Piz and they're now shacked up. On the verge of her first major law job, Veronica learns that her high school classmate (now a singer) has been murdered and her ex, Logan is being blamed. Cue Logan calling Veronica, as so many have over the years.

What begins as a friendly 'weed out the bad lawyers' favor quickly becomes a mystery Veronica simply can't turn away from -- one that takes her all the way back to those high school years she's wanted to forget. Present clashes hard with past as Veronica tries to exonerate Logan while wrestling with the woman she's become versus the woman she once was. One of the strong points of the film is dialogue. Characters feel true to themselves. The quips and banter that defined the Keith-Veronica dynamic are in full effect. The film is peppered with in-jokes and self-referential giggles that flow in conversation and don't confuse those not in the know (mentions of Kickstarter and the FBI earned particularly loud chuckles in the theatre).